{"id":1302,"date":"2025-01-09T13:57:30","date_gmt":"2025-01-09T12:57:30","guid":{"rendered":"https:\/\/en.lepeuplequimanque.org\/?p=1302"},"modified":"2025-01-09T14:26:19","modified_gmt":"2025-01-09T13:26:19","slug":"1302","status":"publish","type":"post","link":"https:\/\/en.lepeuplequimanque.org\/en\/2025\/1302\/","title":{"rendered":"Ecologies post-artistiques"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”line-reveal-by-space” font_style=”h3″ line_reveal_by_space_text_effect=”default” content_alignment=”default” mobile_content_alignment=”inherit” link_target=”_self” text_content=”A l\u2019aune de la crise climatique globale et de ce tournant cosmologique, la notion d\u2019institution d\u2019art appelle \u00e0 une urgente et compl\u00e8te refonte. Les pistes de travail visant \u00e0 \u00e0 \u00e9cologiser les institutions et faire de l\u2019espace de l\u2019art une r\u00e9p\u00e9tition g\u00e9n\u00e9rale pour une bascule terrestre se sont depuis quelques ann\u00e9es, multipli\u00e9es, du tournant \u00e9co-assembl\u00e9iste de l\u2019art \u00e0 la permacircularit\u00e9 mus\u00e9ale, de l\u2019\u00e9co-p\u00e9dagogie critique aux spiritualit\u00e9s radicales des \u00e9co-f\u00e9minismes, tandis que les appels plus amples \u00e0 bifurquer ou \u00e0 d\u00e9serter s\u2019intensifient encore. Quels sont d\u00e9sormais les contours de ce tournant et de ces pratiques qui\u00a0doivent, d\u2019un c\u00f4t\u00e9, leur condition de possibilit\u00e9 et d\u2019usage \u00e0 l\u2019art \u00ab\u00a0sans en relever pour autant\u00a0\u00bb – ce que l\u2019on appelle \u00ab\u00a0post-artistique\u00a0\u00bb – et qui, de l\u2019autre, tendent \u00e0 faire bifurquer les institutions et les mus\u00e9es comme fonction, \u00e0 rebours d\u2019une n\u00e9cropolitique mus\u00e9ale et d\u2019une esth\u00e9tique fossile ?”][\/split_line_heading][nectar_responsive_text][\/nectar_responsive_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][split_line_heading animation_type=”default”]\n

O\u00f9: maison des arts de Malakoff: centre d’art contemporain de\u00a0Malakoff<\/b>
\nQuand: mars & avril 2025<\/b>
\nune proposition d\u2019Aliocha Imhoff<\/b> (Paris VIII) & Kantuta Quir\u00f3s<\/b> (Paris I)<\/p>\n

Partenaires\u00a0et soutiens: <\/b>Universit\u00e9 Paris I \u2013 EAS ACTE (Axe Plasticit\u00e9s), Universit\u00e9 Paris VIII \u2013 AIAC\/TEAMeD & d\u00e9partement Arts Plastiques, le peuple qui manque<\/p>\n

Entr\u00e9e libre dans la limite des places disponibles<\/b><\/p>\n[\/split_line_heading][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"

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