{"id":1151,"date":"2009-02-25T22:24:00","date_gmt":"2009-02-25T21:24:00","guid":{"rendered":"https:\/\/en.lepeuplequimanque.org\/multitudes-n35-queer-cinema.html"},"modified":"2009-02-25T22:24:00","modified_gmt":"2009-02-25T21:24:00","slug":"multitudes-n35-queer-cinema","status":"publish","type":"post","link":"https:\/\/en.lepeuplequimanque.org\/en\/2009\/multitudes-n35-queer-cinema\/","title":{"rendered":"Multitudes n\u00b035 \/ Queer Cinema"},"content":{"rendered":"<div align=\"center\">\n<p><font size=\"2\"><strong>Le peuple qui manque<\/strong> writes five articles in <br \/>the French review <a href=\"http:\/\/multitudes.samizdat.net\"><strong>Multitudes n\u00b035<\/strong><\/a>, winter 2009<\/font><\/p>\n<p align=\"left\">&nbsp;<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/images\/multitudes35.png\" \/><\/div>\n<p align=\"center\"><font size=\"4\"><a href=\"http:\/\/multitudes.samizdat.net\/spip.php?page=rubrique&amp;id_rubrique=969\" target=\"_blank\" rel=\"noopener\">MINEURE : Cin\u00e9mas Queer<\/a><\/font><br \/>Introduction<br \/><strong>Aliocha Imhoff\/ Kantuta Quiros<\/strong><\/p>\n<p>Art\/Cin\u00e9ma\/Queer. Cartographie d\u2019un art politique contemporain<br \/><strong>Aliocha Imhoff\/ Kantuta Quiros<\/strong><\/p>\n<p>Ruins. Entretien avec Rapha\u00ebl Vincent<br \/><strong>Aliocha Imhoff\/ Kantuta Quiros\/ Rapha\u00ebl Vincent<\/strong><\/p>\n<p>Tongues Untied (extraits)<br \/><strong>Marlon Riggs<\/strong><\/p>\n<p>Descolonizando el cuerpo<br \/><strong>Aliocha Imhoff\/ Kantuta Quiros<\/strong><\/p>\n<p>Mon sang est pr\u00e9cieux<br \/><strong>Mujeres Creando<\/strong><\/p>\n<div align=\"center\"><a href=\"http:\/\/multitudes.samizdat.net\/spip.php?page=rubrique&amp;id_rubrique=969\" target=\"_blank\" rel=\"noopener\">http:\/\/multitudes.samizdat.net\/spip.php?page=rubrique&amp;id_rubrique=969<\/a><\/div>\n<p align=\"left\">\n<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le peuple qui manque writes five articles in the French review Multitudes n\u00b035, winter 2009 &nbsp; MINEURE : Cin\u00e9mas QueerIntroductionAliocha Imhoff\/ Kantuta Quiros Art\/Cin\u00e9ma\/Queer. Cartographie d\u2019un art politique contemporainAliocha Imhoff\/&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1151","post","type-post","status-publish","format-standard"],"_links":{"self":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=1151"}],"version-history":[{"count":0,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/posts\/1151\/revisions"}],"wp:attachment":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=1151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=1151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=1151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}