{"id":333,"date":"2013-01-09T18:33:59","date_gmt":"2013-01-09T17:33:59","guid":{"rendered":"http:\/\/www.lepeuplequimanque.org\/fais-un-effort"},"modified":"2023-09-30T16:08:14","modified_gmt":"2023-09-30T14:08:14","slug":"fais-un-effort","status":"publish","type":"page","link":"https:\/\/en.lepeuplequimanque.org\/en\/fais-un-effort\/","title":{"rendered":"Fais un effort pour te souvenir. Ou, \u00e0 d\u00e9faut, invente &#8211; Exposition"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; constrain_group_8=&#8221;yes&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overflow=&#8221;visible&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221; gradient_type=&#8221;default&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][nectar_global_section id=&#8221;965&#8243;][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; left_margin=&#8221;20%&#8221; constrain_group_2=&#8221;yes&#8221; right_margin=&#8221;20%&#8221; left_margin_tablet=&#8221;8%&#8221; right_margin_tablet=&#8221;8%&#8221; left_margin_phone=&#8221;1%&#8221; constrain_group_6=&#8221;yes&#8221; right_margin_phone=&#8221;1%&#8221; column_element_direction_desktop=&#8221;default&#8221; column_element_spacing=&#8221;default&#8221; desktop_text_alignment=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_backdrop_filter=&#8221;none&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; column_position=&#8221;default&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; animation_type=&#8221;default&#8221; bg_image_animation=&#8221;none&#8221; border_type=&#8221;simple&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; column_padding_type=&#8221;default&#8221; gradient_type=&#8221;default&#8221;][vc_column_text]\n<div align=\"center\"><span style=\"font-size: x-large;\">\u00ab Fais un effort pour te souvenir.<br \/>\nOu, \u00e0 d\u00e9faut, invente. \u00bb*<br \/>\n<\/span><strong><strong><span style=\"font-size: small;\">Exposition<br \/>\nB\u00e9tonsalon &#8211; Centre d&#8217;art et de recherche (Paris)<\/span><\/strong><\/strong><\/div>\n<div align=\"justify\">\n<p><strong>Gloria Anzald\u00faa \/ Pauline Boudry &amp; Renate Lorenz \/ Giuseppe Campuzano \/ Theresa Hak Kyung Cha \/ Carola Dertnig \/ Cheryl Dunye \/ Ren\u00e9e Green \/ Marge Monko \/ Roee Rosen \/ Monique Wittig<\/strong><\/p>\n<p>Une proposition d\u2019<strong>Aliocha Imhoff &amp; Kantuta Quiros<\/strong><\/p>\n<p>23 janvier \u2013 13 avril 2013<\/p>\n<p>Vernissage : mardi 22 janvier 2013, 18h-21h<\/p>\n<p>En 1970, la po\u00e9tesse Robin Morgan proposait, dans l\u2019anthologie de textes f\u00e9ministes <em>Sisterhood is powerful<\/em>, le n\u00e9ologisme de <em>herstory<\/em> pour qualifier un programme historiographique de reconstruction et pourrait-on m\u00eame dire, litt\u00e9ralement, d\u2019invention d\u2019une \u00ab Histoire des femmes \u00bb. Au-del\u00e0 d\u2019une simple c\u00e9l\u00e9bration de telles ou telles figures de femmes oubli\u00e9es de l\u2019Histoire, l\u2019<em>herstory<\/em> proposait, plus ambitieusement, les pr\u00e9misses d\u2019une r\u00e9\u00e9criture f\u00e9ministe et queer de l\u2019Histoire, \u00e0 rebours d\u2019une Histoire positiviste qui, non seulement, s\u2019av\u00e9rait incapable de r\u00e9v\u00e9ler la pr\u00e9sence des minorit\u00e9s, en tant que sujets politiques, dans la texture de l\u2019Histoire mais produisait davantage encore les conditions m\u00eames de leur subalternit\u00e9 (Guha 1988 ; Preciado 2005). C\u2019est par l\u2019invention ou le d\u00e9ploiement de nouvelles technologies d\u2019\u00e9criture (telles que la mythologie, l\u2019auto-histoire-th\u00e9orie, le reenactment,\u00a0la fictionnalisation d&#8217;archives,\u00a0ou la dislocation temporelle) que les historiographies f\u00e9ministes et queer mettent en crise les proc\u00e9dures narratives du r\u00e9cit historique lin\u00e9aire.<\/p>\n<p>* Monique Wittig, Les Gu\u00e9rill\u00e8res, 1969<\/p>\n<p>Cette exposition est le premier volet du projet &#8220;<strong>A Thousand Years of Nonlinear History<\/strong>&#8220;.<\/p>\n<p><strong>B\u00e9tonsalon<\/strong> &#8211; 9 Place Vidal Naquet &#8211; Rez de Chauss\u00e9e Halle aux Farines &#8211; 75013 Paris<br \/>\nLigne 14 &#8211; Arr\u00eat Biblioth\u00e8que Fran\u00e7ois Mitterrand.<br \/>\nB\u00e9tonsalon est ouvert du mardi au samedi de 11h \u00e0 19h et ferm\u00e9 les jours f\u00e9ri\u00e9s.<br \/>\nEntr\u00e9e libre.<\/p>\n<\/div>\n<div style=\"text-align: center;\"><img decoding=\"async\" title=\"Justine Frank, The Stained Portfolio, dessin et gouache sur papier, 33x38 cm, 1927-1928. Courtesy : Rosenfeld Gallery, Tel Aviv\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/roeerosen-jpg_spo50light.jpg\" alt=\"roeerosen-jpg_spo50light.jpg\" \/><\/div>\n<p>Justine Frank, The Stained Portfolio, dessin et gouache sur papier, 33&#215;38 cm, 1927-1928. Courtesy : Rosenfeld Gallery, Tel Aviv.<\/p>\n<p><span style=\"text-align: justify;\"><strong>Rencontres en parall\u00e8le de l&#8217;exposition<\/strong> :\u00a0<\/span><br style=\"text-align: justify;\" \/><span style=\"text-align: justify;\">Avec Beno\u00eet Auclerc, Yannick Chevalier, Fabienne Dumont, Catherine Ecarnot, Jules Falquet, Hel\u00e8ne Fleckinger, Laura Iamurri, Dominique Samson, Suzette Robichon, Elvan Zabunyan, Giovanna Zapperi. <\/span><a href=\"http:\/\/www.lepeuplequimanque.org\/fais-un-effort\/rendez-vous\">Lire la suite<\/a><\/p>\n<div style=\"text-align: center;\">\n<p><a class=\"lightbox-column\" title=\"Pauline Boudry \/ Renate Lorenz, N.O Body, Installation film (16 mm. \/DVD 15 min) et 47 photographies, 2008 - Courtesy: Ellen De Bruijne, Amsterdam et Marcelle Alix, Paris\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/frauen_zeichen.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" class=\"lightbox-column alignnone\" title=\"Pauline Boudry \/ Renate Lorenz, N.O Body, Installation film (16 mm. \/DVD 15 min) et 47 photographies, 2008 - Courtesy: Ellen De Bruijne, Amsterdam et Marcelle Alix, Paris\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_frauen_zeichen.jpg\" alt=\"frauen_zeichen.jpg\" width=\"315\" height=\"201\" \/><\/a><a title=\"Carola Dertnig, Lora Sana I\/1, 2005, photographie \/ C-Print, 21 x 21 cm Courtesy Carola Dertnig &amp; galerie Andreas Huber\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/carola-dertnig-s3_1.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" class=\"\" title=\"Carola Dertnig, Lora Sana I\/1, 2005, photographie \/ C-Print, 21 x 21 cm Courtesy Carola Dertnig &amp; galerie Andreas Huber\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_carola-dertnig-s3_1.jpg\" alt=\"carola-dertnig-s3_1.jpg\" width=\"201\" height=\"201\" \/><\/a><a title=\"Marge Monko. Nora\u2019s Sisters, 2009, image du film \/ still. 7 min, Photos : Estonian Film Archive. Courtesy: l\u2019artiste \/ the artist\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/marge-monko-nora_still1.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" class=\"\" title=\"Marge Monko. Nora\u2019s Sisters, 2009, image du film \/ still. 7 min, Photos : Estonian Film Archive. Courtesy: l\u2019artiste \/ the artist\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_marge-monko-nora_still1.jpg\" alt=\"marge-monko-nora_still1.jpg\" width=\"299\" height=\"202\" \/><\/a><a title=\"Giuseppe Campuzano, La Carlita, 2004. Objet trouv\u00e9 \/ fund object. Museo Travesti. Courtesy: l\u2019artiste \/ the artist\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/campuzano_carlita.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" class=\"\" title=\"Giuseppe Campuzano, La Carlita, 2004. Objet trouv\u00e9 \/ fund object. Museo Travesti. Courtesy: l\u2019artiste \/ the artist\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_campuzano_carlita.jpg\" alt=\"campuzano_carlita.jpg\" width=\"250\" height=\"200\" \/><\/a><a title=\"\u2018Lib\u00e9ration des Femmes : Ann\u00e9e Z\u00e9ro\u2019, in Partisans, N\u00b0 54-55, Masp\u00e9ro, juillet-octobre 1970, D.R.\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/partisans-lutte-des-femmes.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" title=\"\u2018Lib\u00e9ration des Femmes : Ann\u00e9e Z\u00e9ro\u2019, in Partisans, N\u00b0 54-55, Masp\u00e9ro, juillet-octobre 1970, D.R.\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_partisans-lutte-des-femmes.jpg\" alt=\"partisans-lutte-des-femmes.jpg\" width=\"83\" height=\"116\" \/><\/a><a title=\"Justine Frank, Franks photographs,1933, Courtesy: Roee Rosen and Gallery Rosenfeld\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/roee-rosen-frank33.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" title=\"Justine Frank, Franks photographs,1933, Courtesy: Roee Rosen and Gallery Rosenfeld\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_roee-rosen-frank33.jpg\" alt=\"roee-rosen-frank33.jpg\" width=\"105\" height=\"116\" \/><\/a><a title=\"Theresa Hak Kyung Cha, Exil\u00e9e - Temps Morts,1980 Livre d\u2019artiste \/ Artist\u2019s book Film stills from White Dust from Mongolia, 1980\" href=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/theresa-cha-exilee-pages170.jpg\" rel=\"prettyPhoto[gallery-JJ5V]\"><img loading=\"lazy\" decoding=\"async\" title=\"Theresa Hak Kyung Cha, Exil\u00e9e - Temps Morts,1980 Livre d\u2019artiste \/ Artist\u2019s book Film stills from White Dust from Mongolia, 1980\" src=\"http:\/\/www.lepeuplequimanque.org\/wp-content\/gallery\/herstory\/thumbs\/thumbs_theresa-cha-exilee-pages170.jpg\" alt=\"theresa-cha-exilee-pages170.jpg\" width=\"158\" height=\"116\" \/><\/a><\/p>\n<\/div>\n<p><strong>INFORMATIONS PRATIQUES:<br \/>\n<a href=\"http:\/\/www.betonsalon.net\" target=\"_blank\" rel=\"noopener\">B\u00e9tonsalon &#8211; Centre d&#8217;art et de recherche<\/a><\/strong> &#8211; <a href=\"http:\/\/www.betonsalon.net\" target=\"_blank\" rel=\"noopener\">http:\/\/www.betonsalon.net<\/a><br \/>\n9 esplanade Pierre Vidal-Naquet &#8211; Rez-de-Chauss\u00e9e de la Halle aux Farines &#8211; 75013 Paris<br \/>\nM\u00e9tro Ligne 14 ou RER C, Arr\u00eat Biblioth\u00e8que Fran\u00e7ois Mitterrand<br \/>\nB\u00e9tonsalon est ouvert du mardi au samedi de 11h \u00e0 19h. B\u00e9tonsalon est ferm\u00e9 les jours f\u00e9ri\u00e9s.<br \/>\n<strong>Entr\u00e9e libre<\/strong> <strong><br \/>\n<a href=\"https:\/\/maps.google.fr\/maps\/ms?msid=209469803810563160703.0004d3ae8c1cadf9a681b&amp;msa=0&amp;ll=48.829653,2.381523&amp;spn=0.004344,0.011362\" target=\"_blank\" rel=\"noopener\">Carte Google Map<\/a><\/strong><\/p>\n<p>EXPOSITION<br \/>\nCommissaires : Aliocha Imhoff &amp; Kantuta Quiros<\/p>\n<p><strong>EQUIPE\u00a0BETONSALON<\/strong><br \/>\nM\u00e9lanie Bouteloup, directrice<br \/>\nMarie Bechetoille, coordinatrice des projets, charg\u00e9e de la production et des publics<br \/>\nFlora Katz, coordinatrice des projets, charg\u00e9e de l&#8217;administration et de la communication<br \/>\nChlo\u00e9 Even, Service Civique<br \/>\nClaire Porcher, stagiaire<\/p>\n<div><strong>EQUIPE\u00a0<\/strong><strong>LE PEUPLE QUI MANQUE<\/strong><\/div>\n<div>Aliocha Imhoff &amp; Kantuta Quiros, directeurs<\/div>\n<div>Marion Pacouil, assistante stagiaire<\/div>\n<p><strong>PUBLICATION<\/strong><br \/>\nConception \u00e9ditoriale : Aliocha Imhoff &amp; Kantuta Quiros<br \/>\nContribution aux notices : Marion Pacouil<br \/>\nConception technique : Flora Katz<br \/>\nContributions originales : Mathias Danbolt, AnaLouise Keating<br \/>\nTraductions : Elizaveta Butakova, St\u00e9phane Surprenant<br \/>\nISSN : 2114 &#8211; 155X<\/p>\n<p>Nous remercions chaleureusement : les artistes et les participants ; l\u2019\u00e9quipe et les collaborateurs ; les partenaires des \u00e9v\u00e9nements et de l\u2019exposition ; les pr\u00eateurs et galeries : Sande Zeig, Dominique Samson, Suzette Robichon, The University of Texas Libraries &#8211; Lee Benson Latin American Collection (Christian Kelleher), Hadas Maor (The Geny and Hanina Brandes Art Collection), Galerie Rosenfeld (Adi Goldner), Salzgeber &amp; Co. Medien GmbH (Daniel Ammann), Free Agent Media (Javier Anguera), UC Berkeley Art Museum and Pacific Film Archive (Lisa Calden), Galerie Riccardo Crespi (Maria Francesca Saibene), Zoe Leonard studio (Jocelyn Davis), Galerie Gisela Capitain GmbH (Friederike Stangier), Les 40 ans du Mouvement, Galerie Marcelle Alix (Isabelle Alfonsi, C\u00e9cilia Becanovic).<br \/>\nEt tout particuli\u00e8rement :\u00a0Thomas Abell (Peccadillo Pictures Ltd), Art Press (Ana\u00ebl Pigeat, Rapha\u00ebl Cuir), Christine Van Assche, Beno\u00eet Auclerc, Biblioth\u00e8que Kandinsky (Mus\u00e9e National d\u2019Art Moderne &#8211; Centre Pompidou), Yannick Chevalier, Francesca Comisso, Lara Conte, Mathias Danbolt, C\u00e9sar Delgado Wixan, Catherine Deudon, Fabienne Dumont, Catherine Ecarnot, Luc Freyer (ABC- Cinemien \/ Homescreen), Laura Iamurri, H\u00e9l\u00e8ne Fleckinger, Michka Gorki, AnaLouise Keating, Elisabeth Lebovici, Marc L\u00e9not (Lunettes Rouges), Catherine Lienard, Claire Moul\u00e8ne (Les Inrocks),\u00a0 Marie Richeux (France Culture), Didier Schulmann,\u00a0Guislaine Petit Volta, Jean-Marc Volta, Samuel Wahl (Cassandre), Stephen Wright, Elvan Zabunyan, Giovanna Zapperi.<\/p>\n<div style=\"text-align: left;\"><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>2013<br \/>\nExposition<br \/>\nB\u00e9tonsalon &#8211; Centre d&#8217;art et de recherche (Paris)<\/p>\n","protected":false},"author":1,"featured_media":658,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page_large.php","meta":{"footnotes":""},"categories":[],"tags":[16,10],"class_list":{"0":"post-333","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"tag-archives","7":"tag-home"},"_links":{"self":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=333"}],"version-history":[{"count":0,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/333\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/658"}],"wp:attachment":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}