{"id":323,"date":"2012-05-05T18:04:51","date_gmt":"2012-05-05T17:04:51","guid":{"rendered":"http:\/\/www.lepeuplequimanque.org\/ethnographe"},"modified":"2023-10-26T23:25:41","modified_gmt":"2023-10-26T21:25:41","slug":"ethnographe","status":"publish","type":"page","link":"https:\/\/en.lepeuplequimanque.org\/en\/ethnographe\/","title":{"rendered":"L\u2019artiste en ethnographe"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_global_section id=”963″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” class=”padpage” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” gradient_type=”default” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]Les 26, 27 et 28 mai 2012, la plateforme curatoriale le peuple qui manque en collaboration avec le D\u00e9partement de la Recherche du mus\u00e9e du quai Branly et le d\u00e9partement FILM du Centre Pompidou-Mus\u00e9e national d’Art Moderne, propose des rencontres intitul\u00e9es \u00ab L’artiste en ethnographe \u00bb. <\/strong><\/p>\n
\"Camille<\/a><\/div>\n

Si comme Hal Foster l\u2019observait d\u00e8s 1995 \u00ab\u00a0l\u2019ancien d\u00e9sir d\u2019artiste chez les anthropologues s\u2019est invers\u00e9\u00a0\u00bb, le tournant ethnographique de l\u2019art contemporain reste largement \u00e0 questionner. <\/em>
\nProposant un \u00e9tat des lieux pospectif, le symposium \u00ab\u00a0L\u2019artiste en ethnographe\u00a0\u00bb, coupl\u00e9 de projections, et d’une performance, se propose de r\u00e9unir artistes, cin\u00e9astes, historiens de l\u2019art, curateurs, et anthropologues, afin de croiser art et anthropologie, critique culturelle et th\u00e9orie des images. Deux journ\u00e9es de colloque au mus\u00e9e du Quai Branly sont accompagn\u00e9es d\u2019un cycle de rencontres et de programmation de films au Centre Pompidou. <\/em><\/p>\n

A la suite de manifestations internationales d\u2019envergure, \u00ab\u00a0L\u2019artiste en ethnographe\u00a0\u00bb soul\u00e8ve, en France, de mani\u00e8re ambitieuse et prospective, les enjeux \u00e9pist\u00e9mologiques de ce tournant, depuis des lieux et des pratiques multiples\u00a0: les enqu\u00eates \u00e0 travers les archives du savoir colonial ainsi que l\u2019histoire de la mus\u00e9ologie scientifique, le champ documentaire et son extension dans des dispositifs d\u2019action collaborative, les r\u00e9gimes d’autorit\u00e9, les modes d\u2019\u00e9nonciation et l\u2019exp\u00e9rimentation avec l\u2019\u00e9criture et les r\u00e9cits de l\u2019\u00ab\u00a0autre\u00a0\u00bb, etc. <\/em><\/p>\n

Symposium international en pr\u00e9sence de<\/strong>
\nAriella Azoulay (Tel Aviv), Peggy Buth (Berlin), T.J. Demos (Londres), Clementine Deliss (Francfort), Faye Ginsburg (New York), Jennifer Gonzalez (New York), Joachim Koester (Berlin), Benoit de L’Estoile (Paris), George Marcus (Irvine), Maureen Murphy (Paris), Karen Mirza & Brad Butler (Londres), Fred Wilson (New York), Trinh T Minh Ha (San Francisco) – Mod\u00e9ration par Erik Bullot, Patricia Falgui\u00e8res, S\u00e9bastien Pluot, Giovanna Zapperi<\/strong><\/p>\n

Une performance\u00a0de Simon Fujiwara (Londres). Avec les oeuvres vid\u00e9os\/films de Kidlat Tahimik (Philippines), Camille Henrot (France), Luis Ospina & Carlos Mayolo (Colombie), Dias & Riedweg (Br\u00e9sil), Jorge Preloran (Argentine), Francis Al\u00ffs (Mexique).<\/strong><\/p>\n

Commissariat : Aliocha Imhoff, Morad Montazami, Kantuta Quiros<\/strong><\/p>\n

 <\/p>\n

\n
\"partenaires.jpg\"<\/div>\n
\n

Une manifestation produite par\u00a0le peuple qui manque<\/em>,\u00a0avec
\nle soutien et en collaboration avec le D\u00e9partement de la Recherche
\ndirig\u00e9 par Anne-Christine Taylor-Descola et le D\u00e9partement du
\nD\u00e9veloppement Culturel du mus\u00e9e du Quai Branly, le d\u00e9partement FILM du\u00a0Centre Pompidou\u00a0dirig\u00e9 par Philippe-Alain Michaud et la R\u00e9gion Ile de France.<\/p>\n

…suite<\/a><\/div>\n

 <\/p><\/blockquote>\n<\/blockquote>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

2012
\nmus\u00e9e du quai Branly & Centre Pompidou
\nSymposium international \/ Projections \/ Performances<\/p>\n","protected":false},"author":1,"featured_media":656,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page_large.php","meta":{"footnotes":""},"categories":[],"tags":[94,16,10,91],"class_list":{"0":"post-323","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"tag-94","7":"tag-archives","8":"tag-home","9":"tag-postcolonialite"},"_links":{"self":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":0,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media\/656"}],"wp:attachment":[{"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/media?parent=323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/categories?post=323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/en.lepeuplequimanque.org\/en\/wp-json\/wp\/v2\/tags?post=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}